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Deputy Commissioner of Police Raghavan-feared by criminals, respected by the police force; tough, resourceful, has a keen mind and is ruthless with the bad guys.

His mentor and boss Arokiaraj (Prakashraj) calls upon him to help him find his missing daughter Rani.Rani has been brutalized and murdered in a deliberate and planned manner. Obviously by educated and very professional person or persons, from the slick handiwork of the gory evidence on the corpse and the bait that was used to provocate the police force.Raghavan promises to find the killer and bring justice and retribution.

Unfortunately, still more tragic events force Raghavan to visit the U.S. as a representative of the Indian Police Force - more murders, missing people and similar evidence suggesting links between the crimes done with Rani and the ones abroad. NYPD requests Raghavan's help in solving the case.

Aradhana (jyothiga) happens to Raghavan quite by accident. Her life and sorrows draw him initially in a platonic manner and then as someone who is more than just a concerned human being. A friendship (and maybe something more?) develops.

Before anything else, though, comes the work at hand and Raghavan's hard at it. Clues and trails lead him and his NYPD counterpart Anderson from one theory to another piece of evidence until, despite much lack of confidence from Anderson, Raghavan leads them both to a horrible discovery whose only plus point is that many unsolved cases finally get some answers! NYPD wakes up to some terrible truths and Raghavan's small case and crusade turns into a nation-wide hunt for killer or killers still on the loose.

And then we catch a glimpse of Amudha (Balajee) and Ilamaran - students of medicine with very dark sides to their nature. They are passionate, disturbed, psychotic and totally dangerous.

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The story is about Sanjay Ramaswamy (Surya), a rich businessman and the events surrounding his relationship with Kalpana (Asin).

Kalpana, an advertisement model goes around telling her advertisement crew that she is the love interest of Sanjay. She does this inspite of she never meeting him and also goes to an extent of giving an interview about her relationship to a popular magazine. Sanjay happens to hear about this through the media and wants to settle scores with her. On his way, he catches a fleeting glimpse of a young woman (who happens to be Kalpana) helping handicapped children to cross a street. It is love at first sight for Sanjay. He moves on the confront Kalpana at her advertisement studio. He is pleasantly surprised to realize that she is the same helpful woman he saw a while ago. He chooses to hide the fact from her that he is Sanjay. Kalpana eventually falls in love with him.

Once, while on a train to Mumbai, Kalpana saves a group of young girls from abuse by a group of goons. After a few days, the same goons come to Kalpana's house in order to avenge their embarrassment. Incidentally, Sanjay arrives at the scene and fight off the goons, but during the ensuing fight, Kalpana is murdered. The irony showcased is that Kalpana never finds out that he is Sanjay. The dacoits strike the downcast Sanjay on his head severely with a metal rod. Sanjay survives the blow, but suffers from a short-term amnesia. At any given time, he does not remember anything that happened more than 15 minutes back. He determines to take revenge from those responsible for Kalpana's death. The rest of the story is about how Sanjay goes about finding the goons despite his memory loss.

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Directed by Jeeva and produced by Oscar V. Ravichandran for Oscar Films, Unnale Unnale stars debutant Vinay, Sada and Tanisha in the lead roles.

On the film, Jeeva says, “This is a love story which I have attempted to show in a different light. It is about how two contrasting characters come together. This story is something that everyone can relate to, you will certainly identify yourself or someone you know, with this story,” says Jeeva.

Vinay, the hero, is from Bangalore. Sada and Kajol’s sister Tanisha play the female leads. The story is woven intricately around the three. Raju Sundaram, Satish and Srinath have played cameos in this film.

Almost 70% of the film has been shot in Australia and the rest, in Chennai. Presently, the post-production works are going on for this film, which has seven songs including two bit songs, composed by music director Harris Jayaraj.

Of these, Vaali has penned the lyrics for two songs while Pa. Vijay has written the rest of the lyrics.

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Anniyan is the story of Ramanujam "Ambi" Iyengar (Vikram), a brahmin lawyer who suffers from Multiple Personality Disorder. Ambi is an innocent and honest lawyer. If he comes across anyone not obeying the rules he files cases against them but all his efforts go in vain.

His constant habit to be perfect in rules and honesty leads him to develop a Multiple Personality Disorder in which a new character in him grows as anniyan (Vikram) and starts a website called www.anniyan.com [www.aparichit.com in the Hindi version] to hear people's complaints. This anniyan is a violent man and the Ambi in him whenever he comes across a person who does not obey rules he makes complaints in his website. When he is Anniyan, he goes and kills them by methods used for torturing people in hell. He apparently takes the definition of these methods from the Garuda Purana.

During the first half, Anniyan kills 3 different people due to their actions:

* A man who did not stop to save a person in critical condition. Anniyan forces a herd of buffaloes to stampede him to death. He calls this murder "Anthakoopam", a Sanskrit word and one of the punishments in the Garuda Purana.
* A chef who fails to provide decent food for railway passengers. Anniyan tosses him into a pot and frys him to death. This punishment is called "Kumbhipakam". The chef was the brother of DCP Prabhakar (Prakash Raj) and the death caused Prabhakar to rise with anger, promising to kill his brother's murderer when he is found.
* A factory owner who makes faulty motor parts. He sends a group of thugs to kill Ambi, but this triggers Anniyan, who knocks out all the men. Later, Anniyan ties the owner to a tree and dumps leeches onto his body. This punishment is called "Krimiibhojanam"

Meanwhile, DCP Prabhakar and Chari (Vivek), a friend of Ambi, are after the murderers.

Ambi is in love with his neighbor Nandhini (Sadha). After she rejects him, Ambi develops another personality, a ramp walk model named Remo. Nandhini instantly falls for Remo and his tricks.

Later, Nandhini acquires land, but tries to cheat the government out of taxes. Ambi chooses not to help her, but when Nadhini tells Remo, Anniyan takes over and goes after her. Just as Anniyan is about to toss her into a pit of fire, Anniyan reverts back to Ambi. He is admitted to a hospital where he is diagnosed with a multiple personality disorder. It is at this hospital that Ambi reveals a dark secret from his past when he is hypnotized. When he was a young boy, corruption and incompetence in the police force and elsewhere had resulted in the death of his sister. After listening to this story, the doctor (Nassar) concludes that the death of Ambi's sister resulted in the development of the psychological disorder. According to the doctor, Remo will cease to exist only if Nandhini accepts Ambi's love. However, Anniyan will cease to exist only when the country is reformed. Nandhini eventually accepts Ambi's love and Remo disappears.

Ambi is finally caught and is sentenced to two years of psychological treatment at which time if he is cured, he will be released. When he is released, he relapses when traveling in a train, after a man refuses to stop drinking in the presence of ladies. Apparently, the man is the same person who indirectly, became a cause for Ambi's sister's death due to his negligence of duty. He kills the man, hiding the crime from Nandhini as the credits start rolling.

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Unending caste discrimination surrounds Puliangulam and Vepangulam villages to such an extent that small incidents lead to shedding of blood to very large extents. Under such circumstances, Sakthivel (Simbu), son of Puliangulam Periyasamy (Raj Kiran), falls in love with Angel Devi (Sonia Agarwal), daughter of Vepangulam Soosai (Nazar). As Soosai comes to know of the issue and that his daughter is also in love with Sakthivel, he opposes the affair and decides to send Angel to a convent to become a Nun. Unable to disobey her father’s words, Angel decides to let go her love and become a nun. She does not change her mind, even after everyone comes to know the truth that she is not Soosai’s real daughter. Just as arrangements are made for the final procedures for her to become a nun, there comes an opposition following which the story tells whether the two lovers unite.

Silambarasan sans his usual mannerisms fits the college student role. Hari has brought out somewhat a natural performance from Simbu. But he will have to improve a lot by way of performance. Sonia Agarwal though looks matured is at ease as a soft-spoken Angel who comes from a staunch Christian family. Vadivel brings in some lighter moments. Nazar, Rajkiran, Rekha, Akash are sufficient. Hari’s commencing the movie with the very beginning scene of religious misunderstanding between two sects of people arouses interest. But as the movie proceeds, the screenplay is unpredictably inconsistent and consistently predictable. Dialogues are good at times, but they are only useful in making the things more melodramatic. And as a director, Hari does not live up to the very high standards he set for himself in Saami. Harris Jayaraj is a big disappointment. The music is a rehash of his earlier films KK and Saami. Priyan’s camera work and Peter Haynes stunts are average.

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Anbuselvan (Surya), Sethu, Ilamaran and Srikanth are young straightforward IPS officers.

Expectedly, the ruthless, hardcore villains put up a stiff resistance and life turns topsy-turvy for the quartet. Unwittingly Maya (Jyotika) becomes the target of underworld kingpin Pandia (Jeevan). Her romance and later marriage to Anbuselvan put her in great peril.

"Kaakha Kaakha" is just another story of vendetta. But the treatment and the characterisation make it commendable.

Jyotika looks ravishing in the role of a responsible schoolteacher who falls in love with Anbuselvan. The pair has an appealing screen presence.

Jeevan, the "University" hero, is the proverbial Evil pitted against Good. His voice that is very different from a villain's strident decibel level makes an impact.

Harris Jeyaraj's score for "Kaakha Kaakha" has already been acclaimed a hit. R. D. Rajashekar's camera is a visual delight.

Anbuselvan's life in flashback, in the first person commentary form gets monotonous at times. Gautam could have added a couple of more ways to unfold the hero's past. And how come an astute officer like Anbuselvan fails to see through Srikanth's sudden change in behaviour?

"Kaakha Kaakha" is for action lovers who believe in logical storylines and deft treatment.